Some more on Mahmoud Darwish

Mourid Barghouti on Mahmoud Darwish in the Guardian

The story of the Palestinian people since their nakba is a story of unfulfilled desires: the desire for normal life, for justice, for national independence and freedom, but even Mahmoud had to come to this cheerless conclusion: “I thought poetry could change everything, could change history and could humanise, and I think that the illusion is very necessary to push poets to be involved and to believe. But now I think that poetry changes only the poet.”

And Sinan Antoon in the Al-Ahram Weekly (online)

In the latter phase of his work Darwish was free to roam all themes no matter how mundane or metaphysical. The anchored and fixed I of his early years was now scattered in pronouns as the self became a site severed by time and space and open to all its others, in the widest sense. Darwish and his work contained multitudes and vast horizons, at the heart of which was Palestine in and of itself, but also Palestine as a metaphor for love, exile, and the injustice and pain of our contemporary moment.

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